Reckoning – Spring 2016

RECKONING fbcover_fbcover PJ

RECKONING fbcover_fbcover JOHN


written, directed and designed by Tara Beagan – Ntlaka’pamux and Irish “Canadian” and Andy Moro – Omushkego Cree / Mixed Euro

WARNING: language and content contains graphic historical and sexual violence

PJ Prudat – Cree/Saulteaux Métis and French/Scandinavian of Saskatchewan
Jonathan Fisher – Pottawattami, Mukwa Dodem, Wikwemikong Unceded Indian Reserve
Brandon Oakes – Ratsienhonoron, Mohawk from Akwesasne
and John Ng (Ottawa via Hong Kong)

Elder research collaborator Paul Chaput – Métis
choreography collaborator Lina Cruz – Montréal via Bogotá
fight choreographer Casey Hudecki, 2007 winner of the FDC Paddy Crean Award.
composition by Melody McKiver – Anishinaabe

Created and produced by A11 founding artists Tara Beagan  and Andy Moro, Reckoning is an ode to the irreconcilable.

A triptych in sound, movement, video and text, Reckoning is an incendiary theatrical presentation of three separate experiences with Indian Residential Schools, the Truth and Reconciliation Commission, and the fallout that has already reverberated across the country.

WHEN: April 13 to 24, 2016. Show dates and times to follow


Funded by TAC-FCT_clr_CMYK and CCFA_RGB_colour_e

In Spirit in Saskatchewan

photo of Dakota Hebert by Sweetmoon, design by Andy Moro

ARTICLE 11 is proud to be partnering with Saskatchewan Native Theatre Co. to bring In Spirit to the University of Regina and First Nations University of Canada’s Performing Turtle Island. “Performing Turtle Island brings together established and emerging scholars and artists in the form of a national symposium on how Indigenous theatre and performance are connected to Indigenous identity and community health.” (from their website.)

Sponsored by Curtain Razors and a host of supporters such as Sask Culture, SHRCC, U of R Fine Arts, this gathering is a celebration of our excellence in the arts across the continent.

The Globe Theatre Academy’s first ever Indigenous grad, Dakota Hebert (Dene) joins core team Beagan and Moro for a one-night only performance of In Spirit, 6:30 pm at the U of R’s Shu-box Theatre. Admission is sponsored, and therefore free to audience members!

On September 9, 2015, SNTC and A11 launched an indiegogo campaign to make up for the shortfall in federal granting monies that arose in this process. We could not create an SK-based production without the generosity of those who have given to our campaign. Huge thanks to you,
Jesse Wente
Sarah Garton Stanley
Christine Horne
Senator Lillian E. Quan Dyck
Merja Mansner

In Spirit @ Planet IndigenUs

Sera-Lys McArthur (photo by Shirin Tinati) stars in ARTICLE 11’s In Spirit

AUGUST 5 & 6 at Habourfront Studio Theatre, 8pm [no latecomers]
AUGUST 8 “On Location” under the Gardiner at Fort York south parking lot, 10pm

all performances have an artist/audience conversation to follow
all performances are free of charge. latecomers will not be admitted to the indoor August 5 & 6 shows.

“Beagan’s writing is detailed and lively, McArthur’s performance open and generous, subtly revealing the love that this child knows and shares. Just as important to the show’s success is Andy Moro’s production design: the hard but beaten metal backdrop, projections of imagery from the past and carefully placed sounds, including the bike’s bell. In Spirit, though perfectly straightforward, packs a cumulative emotional wallop”     -Jon Kaplan, NOW magazine

writer/director: Tara Beagan (Ntlaka’pamux)
production designer: Andy Moro (Omushkego Cree)
production stage manager: Brittany Ryan (Métis)
starring: Sera-Lys McArthur (Nakota)


DECLARATION: Repatriation @ROM extended

~ Kitsuné Soleil in living diorama “Display” in ARTICLE 11’s show at ROM ~


ARTICLE 11 proposed a challenging project to the TAC’s Animating Historic Sites and Museums last year. A piece that would confront the existence and conduct of the very venue we suggested house us. Real, live Indians at the ROM! It seldom happens, unless you count National Aboriginal Day and the now expanded National Aboriginal Month. Perhaps you’ve attended one of the kick ass Friday Night Live events in Junes past – they are pretty killer.

This aside, the ROM has cultural treasures that belong to our people: collected, acquired, stolen and more. Like every museum in the country, our grandmothers’ and grandfathers’ gorgeous and intricate arts and crafts appear behind glass, and identified only by year and sometimes by nation. The “collector” is, at times, named, thanks be to Her Majesty. Our friend, a past DECLARATION collaborator, Monique Mojica let us know Geronimo’s colours are at the ROM. how strange it all seems.

Credit to the ROM that they have demonstrated a progressive enough approach to have us in the Roloff Beny gallery throughout June. Our work is subversive and beautiful. Our live show of June 5th was such a hit that the ROM are funding a repeat performance on June 19th. A Franco-Ontarian celebration, we and our collaborators will bring Blackfoot, Anishnaabemowin and Cree to the festivities.

Join musician/actor Plex (Ojibwe), literary icon/educator Lee Maracle (Stó:lō), actor/comedian Cherish Violet Blood (Blackfoot), grass dancer Theola Ross (Cree) and actor/burlesque artist Kitsuné Soleil (Cree) as we light up the ROM Friday, June 19 beginning at 8pm.

The installation runs, in all its splendour, through to July 5th during regular ROM hours.


~ photo of Penny Couchie, co-AD of Aanmitaagzi by Nadya Kwandibens, Redworks ~

we are nestled in the downtown marriott in ottawa, and happy at the arrival of Aanmitaagzi: sid bobb, penny couchie (pictured above) and troupe, drove all the way from Nipissing First Nation North Bay. we’ll all be working to bring an offering to the welcoming event at the NAC’s Ontario Scene at 3pm on Wednesday, April 28, 2015. Please join us, all people are welcome. Check out our “What We Do” page for more info on DECLARATION at ON Scene.

aanmitaagzi logo                              Print

ARTICLE 11 and friends in ottawa

DECLARATION is hitting ottawa in a few weeks. Greats Santee Smith, Monique Mojica, Michelle Latimer, ShoShona Kish, Raven Kanatakta and Jesse Wente will be jamming with us to offer up some creative visitations. Pop by the Salon at the NAC and check out our installation/performance creation lab. All people welcome.


Sera-Lys McArthur by Juan Camilo Palacio from the NEPA 2013 production.
design Moro, direction/writing Beagan.

we’re back at it.
in workshop with In Spirit, at queen’s u.

this work never stops being topical, yet it is inspired by a missing and murdered case that goes back more than thirty years.
our country is sorrowfully slow to take up the epidemic of murder and heartbreak.
we’re very fortunate to have the support of gregory wanless and the drama department here.
it’s an innovation, just to concern oneself with art that addresses our missing and murdered women and girls.
it’s risky because it causes conversation. conversation requires more than one person and so it demands engagement.

i was at queen’s last year at this time thanks to an invitation from daniel david moses. greg heard me read from the play at that time, and we began a discussion about visiting queen’s.
it’s one of the most recent adventures this storymaking has been on.
in september 2013, native earth had recently reshapen a season due to the challenges brought on by taking on a venue, and that recovery season included a full-production debut of In Spirit at Talking Stick and, thankfully, the Rutas Panamericanas festival, in partnership with Aluna Theatre.

this work runs under an hour. indeed, it keeps economizing, yet it’s been the most consuming of my life.
from day one, it’s been andy and i. we made leaps and bounds with michaela washburn as actor when we first developed the piece.
we gained ground again when pj prudat took the position two years later.
we are scorching all expectations with sera-lys in the role.
our FN actors are extraordinary. our women are indomitable.

from the start, there were big things that loomed large.
one – there is a “Molly shaped hole in the universe.”
two – she grew up at a time when tv was culture.
three – the design is a character in the telling.

finally, these elements are converging in a way that humbles the makers all over again.
the video design is strong and necessary, and thanks to feedback from multiple workshops and offerings, the blocking and text are lifting and REQUIRING each other.

so… thank you. for coming, for speaking, for asking, for reading now.
thanks also for passing along info to anyone you know in kingston about our workshop presentations – one is for students and purportedly quite full, but the other is for the public.
it plays at 7:30, september 23 at convocation hall. it’s pwyc and all of the box goes back to the department.

you’ll want to see this.