{"id":490,"date":"2016-02-13T05:13:28","date_gmt":"2016-02-13T10:13:28","guid":{"rendered":"https:\/\/article11.ca\/?p=490"},"modified":"2016-02-16T10:38:05","modified_gmt":"2016-02-16T15:38:05","slug":"reckoning","status":"publish","type":"post","link":"https:\/\/article11.ca\/?p=490","title":{"rendered":"Reckoning"},"content":{"rendered":"<p><a href=\"https:\/\/article11.ca\/wp-content\/uploads\/2016\/02\/RECKONING-HANDBILLS_JOHN-FRONT.jpg\" rel=\"attachment wp-att-492\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-492 alignnone\" src=\"https:\/\/article11.ca\/wp-content\/uploads\/2016\/02\/RECKONING-HANDBILLS_JOHN-FRONT-138x300.jpg\" alt=\"RECKONING NG\" width=\"138\" height=\"300\" srcset=\"https:\/\/article11.ca\/wp-content\/uploads\/2016\/02\/RECKONING-HANDBILLS_JOHN-FRONT-138x300.jpg 138w, https:\/\/article11.ca\/wp-content\/uploads\/2016\/02\/RECKONING-HANDBILLS_JOHN-FRONT-768x1669.jpg 768w, https:\/\/article11.ca\/wp-content\/uploads\/2016\/02\/RECKONING-HANDBILLS_JOHN-FRONT-471x1024.jpg 471w\" sizes=\"auto, (max-width: 138px) 100vw, 138px\" \/><\/a> <a href=\"https:\/\/article11.ca\/wp-content\/uploads\/2016\/02\/RECKONING-HANDBILLS_JOHNNY-B.jpg\" rel=\"attachment wp-att-493\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-493 alignnone\" src=\"https:\/\/article11.ca\/wp-content\/uploads\/2016\/02\/RECKONING-HANDBILLS_JOHNNY-B-138x300.jpg\" alt=\"RECKONING FISHER\" width=\"138\" height=\"300\" srcset=\"https:\/\/article11.ca\/wp-content\/uploads\/2016\/02\/RECKONING-HANDBILLS_JOHNNY-B-138x300.jpg 138w, https:\/\/article11.ca\/wp-content\/uploads\/2016\/02\/RECKONING-HANDBILLS_JOHNNY-B-768x1669.jpg 768w, https:\/\/article11.ca\/wp-content\/uploads\/2016\/02\/RECKONING-HANDBILLS_JOHNNY-B-471x1024.jpg 471w\" sizes=\"auto, (max-width: 138px) 100vw, 138px\" \/><\/a> <a href=\"https:\/\/article11.ca\/wp-content\/uploads\/2016\/02\/RECKONING-HANDBILLS_PJ-FRONT.jpg\" rel=\"attachment wp-att-494\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-494 alignnone\" src=\"https:\/\/article11.ca\/wp-content\/uploads\/2016\/02\/RECKONING-HANDBILLS_PJ-FRONT-138x300.jpg\" alt=\"RECKONING PRUDAT\" width=\"138\" height=\"300\" srcset=\"https:\/\/article11.ca\/wp-content\/uploads\/2016\/02\/RECKONING-HANDBILLS_PJ-FRONT-138x300.jpg 138w, https:\/\/article11.ca\/wp-content\/uploads\/2016\/02\/RECKONING-HANDBILLS_PJ-FRONT-768x1669.jpg 768w, https:\/\/article11.ca\/wp-content\/uploads\/2016\/02\/RECKONING-HANDBILLS_PJ-FRONT-471x1024.jpg 471w\" sizes=\"auto, (max-width: 138px) 100vw, 138px\" \/><\/a><\/p>\n<p>&#8220;Healing always comes with wounds. They are inextricably linked. At its best, art exposes the latter to further the former and in doing so can mark a path for reconciliation. <em>Reckoning<\/em> from ARTICLE 11 does just this. As powerful, poignant and vital a performance as you will see this year, at a time when we need it most. &#8221; <a href=\"http:\/\/www.cbc.ca\/news\/aboriginal\/the-revenant-not-an-indigenous-story-1.3404007\">Jesse Wente<\/a>, Ojibwe. <a href=\"http:\/\/www.aboriginalprofessionals.org\/blog\/recognizing-excellence-jesse-wente\/\">Film critic and Director of Film Programmes at TIFF Bell Lightbox<\/a>.<\/p>\n<p>When the truth has been incinerated and reconciliation seems impossible, there is <em>Reckoning<\/em>.<\/p>\n<p>Written, directed and designed by <strong><a href=\"http:\/\/tarabeagan.com\/\" target=\"_blank\">Tara Beagan<\/a><\/strong> \u2013 Ntlaka\u2019pamux and Irish \u201cCanadian\u201d and <strong><a href=\"http:\/\/andymoro.com\/\" target=\"_blank\">Andy Moro<\/a><\/strong> \u2013 Omushkego Cree \/ Mixed Euro<\/p>\n<p>Featuring:<br \/>\n<strong><a href=\"http:\/\/pjprudat.workbooklive.com\/\" target=\"_blank\">PJ Prudat<\/a><\/strong> \u2013 Cree\/Saulteaux M\u00e9tis and French\/Scandinavian of Saskatchewan<br \/>\n<strong>Jonathan Fisher<\/strong> \u2013 Pottawattami, Mukwa Dodem, Wikwemikong Unceded Indian Reserve<br \/>\n<strong><a href=\"http:\/\/www.indiantime.net\/story\/2013\/12\/05\/artist-spotlight\/actor-artist-and-dancerbrandon-a-oakes\/12350.html\" target=\"_blank\">Brandon Oakes<\/a><\/strong> \u2013 Ratsienhonoron, Mohawk from Akwesasne<br \/>\nand <strong>John Ng<\/strong> (Ottawa via Hong Kong)<\/p>\n<p>Elder research collaborator <strong>Paul Chaput<\/strong> \u2013 M\u00e9tis<br \/>\nchoreographic collaborator <strong><a href=\"http:\/\/www.fila13.com\/\" target=\"_blank\">Lina Cruz<\/a> <\/strong>\u2013 Montr\u00e9al via Bogot\u00e1<br \/>\nfight choreographer <a href=\"http:\/\/caseyhudecki.com\/\" target=\"_blank\"><strong>Casey Hudecki<\/strong><\/a>, 2007 winner of the FDC Paddy Crean Award.<br \/>\ncomposition by <a href=\"http:\/\/www.melodymckiver.com\/about\/\" target=\"_blank\"><strong>Melody McKiver<\/strong><\/a> \u2013 Anishinaabe<\/p>\n<p>Created and produced by A11 founding artists Tara Beagan\u00a0 and Andy Moro, <em>Reckoning<\/em> is an ode to the irreconcilable. A triptych in sound, movement, video and text, <em>Reckoning<\/em> is an incendiary theatrical presentation of three separate experiences with Indian Residential Schools, the Truth and Reconciliation Commission, and the fallout that has already reverberated across the country.<\/p>\n<p>at <a href=\"http:\/\/theatrecentre.org\/\" target=\"_blank\">The Theatre Centre,<\/a> <a href=\"https:\/\/goo.gl\/maps\/nuXdp8RMy2B2\" target=\"_blank\">1115 Queen St West\u00a0 <\/a>for tickets visit the <a href=\"http:\/\/theatrecentre.org\/?p=3670\" target=\"_blank\">Theatre Centre Box Office<\/a> or call <strong>416.538.0988<\/strong><\/p>\n<p><em>Preview: <\/em><\/p>\n<p style=\"padding-left: 60px;\">Wed &amp; Thurs April 13,14 8:30pm<\/p>\n<p><em>Opening:<\/em><\/p>\n<p style=\"padding-left: 60px;\">Friday April 15, 8:30pm<\/p>\n<p><em>Performances:<\/em><\/p>\n<p style=\"padding-left: 60px;\">Saturday April 16 2:30, 8:30<\/p>\n<p style=\"padding-left: 60px;\">Sunday April 17 2:30<\/p>\n<p style=\"padding-left: 60px;\">Tuesday-Friday April 19-22 8:30<\/p>\n<p style=\"padding-left: 60px;\">Saturday April 13 2:30, 8:30<\/p>\n<p style=\"padding-left: 60px;\">Sunday April 24 2:30<\/p>\n<p style=\"padding-left: 60px;\">\n","protected":false},"excerpt":{"rendered":"<p>&#8220;Healing always comes with wounds. They are inextricably linked. At its best, art exposes the latter to further the former and in doing&hellip;<\/p>\n","protected":false},"author":1,"featured_media":491,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"quote","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-490","post","type-post","status-publish","format-quote","has-post-thumbnail","hentry","category-uncategorized","post_format-post-format-quote"],"_links":{"self":[{"href":"https:\/\/article11.ca\/index.php?rest_route=\/wp\/v2\/posts\/490","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/article11.ca\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/article11.ca\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/article11.ca\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/article11.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=490"}],"version-history":[{"count":10,"href":"https:\/\/article11.ca\/index.php?rest_route=\/wp\/v2\/posts\/490\/revisions"}],"predecessor-version":[{"id":508,"href":"https:\/\/article11.ca\/index.php?rest_route=\/wp\/v2\/posts\/490\/revisions\/508"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/article11.ca\/index.php?rest_route=\/wp\/v2\/media\/491"}],"wp:attachment":[{"href":"https:\/\/article11.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=490"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/article11.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=490"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/article11.ca\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=490"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}